{"id":23,"date":"2020-12-20T00:18:58","date_gmt":"2020-12-19T22:18:58","guid":{"rendered":"https:\/\/www.highnoon.art\/?page_id=23"},"modified":"2024-11-18T03:44:03","modified_gmt":"2024-11-18T01:44:03","slug":"ueber-high-noon-about","status":"publish","type":"page","link":"https:\/\/www.highnoon.art\/es\/","title":{"rendered":"Acerca de High Noon"},"content":{"rendered":"
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La serie HIGH NOON del fot\u00f3grafo Julian Kirschler muestra lugares desiertos que fotografi\u00f3 tras la aprobaci\u00f3n de las medidas restrictivas para contener la pandemia del Covid 19 en varias ciudades europeas. Ante el temor de un crecimiento exponencial del n\u00famero de casos, los gobiernos de todo el mundo han impuesto restricciones de salida a veces rigurosas para contener una mayor propagaci\u00f3n del virus. Acompa\u00f1ados de una respuesta medi\u00e1tica sin precedentes, empezaron a llegar informes sobre caravanas de cad\u00e1veres y ciudades fantasmales. Escenarios espeluznantes que recuerdan a pel\u00edculas de Hollywood como Doce monos o Outbreak han dominado el discurso medi\u00e1tico desde entonces.<\/p>

Durante el cierre, se tomaron en todo el mundo innumerables fotograf\u00edas fantasmales de calles vac\u00edas y plazas desiertas. Sin embargo, a diferencia de las fotograf\u00edas de estas \"ciudades fantasma\", las im\u00e1genes de la serie High Noon provocan la opresiva sensaci\u00f3n de lo inquietante. Kirschler ha infectado los \"gr\u00e1ficos\" de alta resoluci\u00f3n de sus secuencias de im\u00e1genes con un virus digital que genera fant\u00e1sticos espacios pict\u00f3ricos del tipo que conocemos de los mundos artificiales de los juegos de ordenador. Muchos de los archivos RAW procesados parecen haber sido programados con un motor de juego. Duplicando, superponiendo y desplazando el plano de grabaci\u00f3n, pero sobre todo la proyecci\u00f3n central y la iluminaci\u00f3n en clave alta, se crean efectos como los que se producen en los gr\u00e1ficos 3D por ordenador de los shooters en primera persona mediante modelado, texturizado, sombreado y mapeado de reflejos. Adem\u00e1s, todas las im\u00e1genes de la serie tienen una funci\u00f3n de acercamiento\/alejamiento cuando se ven en la pantalla, lo que sugiere que podemos sumergirnos en ellas.<\/p><\/div>

Robert Eikmeyer<\/p>

(Extracto de: La mente es un virus.<\/a> La serie HIGH NOON del fot\u00f3grafo Julian Kirschler<\/a>, 2020)<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die HIGH NOON-Serie des Fotografen Julian Kirschler zeigt menschenleere Orte, die er nach dem Beschluss der restriktiven Ma\u00dfnahmen zur Eind\u00e4mmung der Covid-19-Pandemie in verschiedenen europ\u00e4ischen St\u00e4dten aufgenommen hat. Aus Angst vor exponentiell wachsenden Fallzahlen hatten die Regierungen weltweit zum Teil rigorose Ausgangsbeschr\u00e4nkungen verh\u00e4ngt, um die weitere Ausbreitung des Virus einzud\u00e4mmen. Begleitet von einem zuvor nie […]<\/p>\n","protected":false},"author":1,"featured_media":10130,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n\u00dcber High Noon - High Noon<\/title>\n<meta name=\"description\" content=\"Die HIGH NOON-Serie des Fotografen Julian Kirschler zeigt menschenleere Orte, die er nach dem Beschluss der restriktiven Ma\u00dfnahmen zur Eind\u00e4mmung der Covid-19-Pandemie in verschiedenen europ\u00e4ischen St\u00e4dten aufgenommen hat.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.highnoon.art\/es\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00dcber High Noon - 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